Michael Jordan air-balled HOF speech

Tuesday, September 15, 2009 at 12:22 PM

know it's been almost four days since Michael Jordan's Hall of Fame enshrinement speech, but people are still talking about it.
For most of his career, Jordan and whoever was handling him at the time (David Falk, Nike, the Chicago Bulls, Jerry Reinsdorf, Juanita Jordan) did an almost impeccable job of molding a likable public image. He not only said the right things at the right time, but didn't say the wrong things at the wrong time. He sold products we wanted to buy. He made commercials that almost always brought him to a new level of popularity. The only time Michael failed was when nobody was around, or on a golf course or baseball field.
He wasn't golfing last Friday night, so I can only conclude that Jordan's inner circle either wasn't there or failed him pretty badly when he prepared (or didn't prepare) his Hall of Fame enshrinement speech. Jordan took the opportunity — perhaps the last time the whole basketball world would be watching — to skewer those who had wittingly or unwittingly provided the kindling that lit the fire of the relentless competitiveness that made Jordan the best of his time, if not all time.
Some of his shots could pass as good-natured joshing—chiding his high school coach for cutting him from the Laney High School varsity in favor of Leroy Smith when Jordan was a sophomore (Jordan mentioned Smith in the story, but also invited him to the ceremony). And, I had never heard that Jordan was miffed about being left out of the 1981 Sports Illustrated cover shot with North Carolina's starters and coach Dean Smith (who left out Jordan because he was a freshman). But of the others he torched—Pat Riley, Jeff Van Gundy, Bryon Russell and especially Jerry Krause—came off as cringe-inducing examples that the pettiness and long memory we all had heard about Jordan were true.
It was bad simply because it make Michael less likable. Jordan almost always had a way of finessing his immense ego so that it rarely came across as overt boasting—instead of saying he was a one-man show, he referred to his teammates as "my supporting cast." He let others tell us how sick he was when he beat the Jazz in Utah. He never held out to be paid what he was worth. But that fine touch betrayed him at the Hall of Fame ceremony.
"I didn't see organizations playing with the flu in Utah," was not Michael being Michael. It was Michael being Terrell Owens—a significant drop in Q-score, I'm pretty sure. There's something unbecoming about anybody telling us how great they are. But especially someone who's had others doing it for him for so long.
What he should have done was thank the people who helped make him what he is today: from Leroy Smith and his high school coach for not putting him on the varsity, to Pat Riley, Jeff Van Gundy and all the the people who "put wood on the fire" to fuel his legendary competitiveness. And John Paxson, Steve Kerr, Horace Grant, Bobby Hansen and all the teammates who made the plays that helped clinch the championships that burnished the Jordan legend.
I don't buy the "Michael being Michael" argument. Jordan could be a feisty, petty ultra-competitor with a long memory one moment and a humble, thoughtful protector of his image the next. If he couldn't be both, he never would have been Michael Jordan. He'd have been a much, much better Charles Barkley.
Maybe Barkley and Pete Rose don't have it in them to be Mr. Wonderful. But Jordan obviously did. Stop making excuses for him.
His emotional open with David Thompson was strong and his finish was well-done (telling us to not be surprised to see him playing at 50: "Never say never, because "limits, like fears, are often an illusion.")
But in between was MJ with that rare missed dunk. On the court Michael had no problem being the hawk hunting the smallest fly. But at the Hall of Fame ceremony it was the wrong place and the wrong time for "Michael to be Michael." The surprise is that nobody told him that.

'The View' talks Swayze, Swift and Gosselin

at 11:49 AM

Kate Gosselin finally opened up about her marriage in her second appearance as a guest co-host on "The View," but the reality of "Jon & Kate" was far from the only topic. The show also addressed the death of Patrick Swayze and the Kanye West-Taylor Swift incident, the latter with Swift herself.

The morning talk show opened on a somber note by remembering the passing of Swayze, who played alongside "View" co-host Whoopi Goldberg in 1990's "Ghost."
"Because of Patrick Swayze, I got that movie 'Ghost,' " a visibly choked-up Goldberg said. "Because of Patrick Swayze, I have an Oscar."
Goldberg said her friend and co-star "fought like the dickens" against pancreatic cancer and was determined to keep working until he died.
"I hope whenever it comes for me, that I do the same," Goldberg said. "I would like to have that bravery."

Barbara Walters talked about the time she spent with Swayze and his wife Lisa in December 2008 for the last television interview the actor did before he passed.

Asked if he were scared, Swayze said to Walters: "I will be either truthful or stupid and say no, but immediately when I say that, I say yes I am. I don't know what's on the other side." Walters' interview with Swayze is scheduled to air Tuesday night on ABC.

But once the hosts paid their respects to Swayze, the attention did turn back to Gosselin. Walters got the reality star to open up, asking Gosselin why she still wore her wedding ring.
Gosselin responded with the only answer she has for anything these days: She does it for her kids. "You know," she said, "we are not officially divorced yet, and I keep it on for the kids."
Gosselin then recalled a recent opportunity to talk about her divorce with her children, when she happened to scratch daughter Hannah with the ring while they watched TV.
Gosselin used that moment to remind her kids that she wasn't going to wear her ring much longer, "because Mommy and Daddy aren't going to be married anymore." Gosselin said Alexis "thought for a second, and said, 'Will Daddy still be our daddy?' I told them yes, forever."
When her children asked her if she would remarry, Gosselin told them it would be a "long, long time from now."
With the debut of "Dr. Phil's" eighth season starting today, "The View" also sat down with the afternoon talk show host, who has his own history with the Gosselins.
Kate Gosselin requested marriage counseling from Dr. Phil McGraw and his wife Robin, which brought a vocal negative reaction from Jon Gosselin, who reportedly said he "felt it was weird." McGraw wouldn't comment on Jon, but did mention that he felt reality television can harm a marriage.
Kate Gosselin, however, respectfully disagreed. "Personally in my own marriage," she said, "for us it was going to happen anyway. Hindsight is 20/20. All those issues were there, and the world saw it and I think it would've happened to us anyway."
"But," Gosselin added, "I want to set the record straight on Jon's comment: I do not support that comment and I do not agree. I don't know what he walked away with, but I walked away with wisdom and I have huge respect for Dr. Phil and Robin."
To conclude the whirlwind of hot-button issues, "The View" brought on 19-year-old country singer Taylor Swift, who'd been scheduled for months to appear on the show. Swift talked with the panel about the brouhaha at Sunday's MTV Video Music Awards, after rapper Kanye West jumped onstage and grabbed the microphone as Swift accepted the Best Female Video award.
Swift said her overall thought process during the VMAs was, "Wow, I can't believe I won. This is awesome. Don't trip and fall; thank the fans. Oh, Kanye West is here. Cool haircut. ... And then, ouch; I guess I'm not going to thank the fans."
Swift said that she was open to a face-to-face apology from West, but that despite his comments that he would like to personally apologize to Swift -- including a statement on "The Jay Leno Show's" premiere Monday -- he hasn't approached her as of "The View's" airtime, she said. (Swift's representative told CNN that West has since reached out to the country singer.)

Although she was rattled, there was a bit of silver lining in the West fiasco, Swift said.
"There were a lot of people around me backstage [at the VMAs] that were saying incredible things, all the people and fans and music artists," Swift said. "I just never imagined that there were that many people looking out for me."

Health care negotiators finding common ground, Democrat says

Monday, September 14, 2009 at 3:00 PM

WASHINGTON -- Increased awareness of the details of a possible compromise health care bill is boosting the comfort level of both Democrats and Republicans, a key Democratic senator claimed Monday.

Sen. Max Baucus will reveal his compromise health care reform plan this week.

"As senators on and off the committee, [including] Republicans, begin to know more about all of this, their comfort level is starting to come up a bit," Senate Finance Committee Chairman Max Baucus said.
"I do believe that in the end we will have some significant bipartisan support."
Baucus, D-Montana, heads a bipartisan group of negotiators at the center of the Senate's health care talks.
Members of the "Gang of Six" -- a group of three Democratic and three Republican members of the Senate Finance Committee -- are realizing "there's much to agree on," Baucus added.
He said he intends to unveil a compromise plan this week, with the full Finance Committee set to begin debating the proposal next week.
The Finance Committee is the last of five congressional committees that needs to approve health care legislation before it can be taken up by both the full Senate and the full House of Representatives.
Baucus stated that the Gang of Six had discussed several issues in a meeting Monday morning, including medical malpractice, ensuring a denial of benefits to illegal immigrants and expanding federal support for Medicaid.
He said the group was working toward meeting the widely shared goal of reducing the rate of growth of health care spending.
The bipartisan group is to meet again at 4 p.m. ET today, and Democrats on the committee are to meet at 5:30 p.m.
The Finance Committee bill as currently drafted would cost roughly $880 billion over 10 years and be fully funded, he added. It would not add to the federal deficit, he claimed.


I'm "confident we're bending the cost curve in the right way," added North Dakota Sen. Kent Conrad, another Democratic member of the Gang of Six.
Iowa GOP Sen. Charles Grassley, also part of the negotiations, said he wanted to see the overall price tag lowered in light of skyrocketing federal budget deficits. He indicated that there were "five to six unresolved issues" but expressed some optimism that they could be overcome.
Last week, President Obama delivered a speech to Congress outlining a proposal similar to the measure being negotiated by the Gang of Six.
On Sunday, Conrad and South Carolina GOP Sen. Lindsey Graham said that any chance for a successful compromise will hinge on the outcome of the Finance Committee's negotiations. They both declared the more liberal House version of health care legislation moot.
Conrad has proposed creating nonprofit health insurance cooperatives as an alternative to the government-funded public health insurance option included in legislation favored by the House Democratic leadership.
Republicans unanimously oppose the public option as an unfair competitor that would drive private insurers out of the market, which they say would bring a government takeover of health care.
Democratic supporters reject that claim as misinformation, saying a nonprofit public option would be one choice for consumers who also could sign up for private coverage.
Obama, a supporter of the public option, cited the idea of cooperatives as a possible middle-ground in his speech to Congress.
One senior Democratic lawmaker, however, promised Sunday that the Senate's health care bill would include a public option that would have support from "some" Republicans.
"The bill -- mark my word, I'm the chairman -- is going to have a strong public option," said Sen. Tom Harkin, D-Iowa, who recently filled the late Sen. Ted Kennedy's seat as chairman of the Health, Education, Labor and Pensions Committee.


Harkin made his remarks while speaking to a supportive crowd at his annual Steak Fry fundraiser for Iowa Democrats.

Toronto Film Festival: Matt Damon is not dead

at 2:52 PM

Few things are worse in the entertainment news business than when a rumor surfaces that a celebrity has died. It’s really bad because even though they are almost always hoaxes, you have to follow-up with the star’s publicist, a moment, which you can be sure, is understandably awkward. This happened just days ago with A-list actor, Matt Damon, who is, in fact, very much alive. I know because I just interviewed him – in person. He’s in Toronto promoting his new film, “The Informant.” Damon says as soon as he heard the rumor he immediately called his mother just so she would not worry. Damon knows about worrying parents – he has three girls at home, two young daughters and a step-daughter from his wife, Luciana’s previous marriage.
But, Damon isn’t only worried about his children, he cares about all the kids in America – in particular, one’s without health insurance. Last time I sat down with the Oscar winner was quite vocal about his support of then presidential candidate Barrack Obama. When asked how he thinks the President is doing now, he says he hopes he can get health care reform passed. He says making sure millions of children are covered would be “very American.”

Judge rejects Merrill bonus settlement

at 2:40 PM

Bank of America and the SEC are told that a proposed $33 million penalty over Merrill Lynch bonuses is 'neither fair, nor reasonable, nor adequate.'


NEW YORK - A federal judge struck down a proposed settlement reached between Bank of America and federal regulators over outsized bonuses paid to Merrill Lynch employee.
In a ruling issued Monday, U.S. District Court Judge Jed Rakoff called the proposed $33 million penalty between the Securities and Exchange Commission and the Charlotte, N.C.-based bank "neither fair, nor reasonable, nor adequate."
Both parties, as a result, were ordered to head to trial, starting Feb. 1, 2010.
In a statement issued Monday, the SEC maintained its belief that the proposed settlement was "properly balanced" but that it would carefully review the judge's ruling.
Bank of America was not immediately available for comment.
"As we said in our court filings, we believe the proposed settlement properly balanced all of the relevant considerations. We will carefully review the Court's most recent order," said John Nester, SEC spokesman.
The pair had struck a settlement agreement in early August after the SEC brought charges against Bank of America (BAC, Fortune 500) for allegedly misleading investors about billions of dollars in bonuses paid to Merrill Lynch employees.
0:00 /12:41Defending Wall Street's image
vidConfig.push({videoArray: ["/video/news/2009/09/14/n_crisis_parsons_schwartz_c.cnnmoney.json"], collapsed:false});

Regulators had claimed that BofA effectively lied in its proxy statement, saying it would not pay out bonuses to Merrill employees in fiscal year 2008, when, in fact, the bank authorized bonus payments of as much as $5.8 billion. Of that allowance, $3.6 billion was paid out in 2008 to more than 39,000 Merrill employees.
An easy resolution to the matter seemed to fade in the following weeks however, as Rakoff pushed the pair for additional details on the terms of the agreement. He demanded to know, among other things, why the SEC did not pursue charges against BofA executives, and why the company agreed to settle if the firm felt it was innocent.
While not admitting any guilt, Bank of America has maintained it decided to settle with the SEC because it did not want to be distracted by a lengthy court battle with one of its main regulators at a time of market uncertainty.
Both parties tried to address some of those very questions last week, urging the judge for a second time to uphold the settlement.
Those pleas failed, however, as Rakoff showed little mercy towards either party in Monday's filing.
He called the settlement a "contrivance" designed to make it appear as if the SEC, which has been plagued by enforcement scandals over the past year, was doing its job.
Rakoff also blasted both parties for asking BofA shareholders to shoulder the cost of a settlement he labeled as "trivial."
"All this is done at the expense, not only of shareholders, but also of the truth," he wrote.
This is not the first time Rakoff has rejected a settlement struck between corporate offenders and regulators. In 2003, he refused to uphold a $500 million settlement between the SEC and bankrupt telecom giant WorldCom.
After the parties were forced to renegotiate the settlement, Rakoff later signed off on a $750 million fine. In that ruling, he also demanded that stock in MCI, the new company that WorldCom emerged from bankruptcy as, be set aside for former WorldCom investors.

Janet Jackson Releases New Single Following VMA Performance

at 8:41 AM

Janet Jackson paid loving tribute to her late brother Michael at the MTV Video Music Awards on Sunday night, dancing along with a projection of MJ as their duet "Scream" played on the big screen. The dramatic opening of the show, which included a moving speech from Madonna, was just her first tip of the fedora to Michael, though.

A short time later, Janet gave the ultimate thank you to her beloved sibling by posting a new single, "Make Me," on her Web site. The song, seemingly the first single from her upcoming album, reportedly due out in early 2010, is an uptempo dance jam with a chorus that pays loving tribute to MJ's iconic 1979 solo single "Don't Stop 'Til You Get Enough."

Easing up on the darker S&M themes of her recent albums, "Make Me" is a fun, breezy tune with an elastic disco beat in which Jackson teases the object of her obsession to "go on get up and shake your body," promising "we're gonna have a good time."

The chorus twists Michael's refrain into a Janet-worthy, sexy come-on, with the lyrics, "Don't stop 'til you get it up," as she entices her man to join her on the dance floor and shake it until the morning light. "Baby can you move, make me groove/ Show me what you do, make me move/ Baby can you move, make me groove/ Show me what you can do, make me move," she sings in the ear-candy hook, adding one of her signature breathy come-ons later in the tune to seal the deal. "If you feel like you can get it tonight," she coos. "But first you gotta make me say ... Oooohhh."

On her Twitter page, Jackson explained the gift-wrapped look of the "Make Me" stream on her site. "Thank u for ur endless love n support! I hope u guys enjoyed us tonight. It was very special for me n I have a very special gift for all of u."

Lady Gaga, Beyonce, Taylor Swift Light Up 2009 VMAs Madonna and Janet Jackson's Michael Jackson tribute and Kanye West's outburst were among the stand

at 1:02 AM

A blood-spurting Lady Gaga, a stage-busting Kanye West, a thrilling Michael Jackson tribute, an acrobatic Pink, the classiest move in VMA history and more surprises than even we could have predicted. That was the 2009 MTV Video Music Awards, which stormed New York's legendary Radio City Music Hall on Sunday night (September 13) with more jaw-dropping moments than a season's worth of "The Hills."

In addition to wins for VMA regulars like Beyoncé, Green Day and Eminem, a couple of future icons, Gaga and Taylor Swift, got their first Moonmen in a show that was as barely contained as host Russell Brand's raging libido.

The night got off to a glittering start with the first shock of the evening, a visit from the VMA queen herself: Madonna. In a moving, nearly eight-minute speech, Madonna fondly recalled her first private meeting which Michael Jackson and the impact he had on her life and her reaction to his death in June at the age of 50. "In a desperate attempt to hold onto his memory, I went on the Internet to watch old clips of him dancing and singing on TV and onstage and I thought, 'My God, he was so unique, so original, so rare,' " she said. "And there will never be anyone like him again. He was a king."

The full tribute ended with an intense performance from Janet Jackson, who danced along with her late brother's song "Scream" as Alicia Keys, Beyoncé and Pink hollered with excitement.

Katy Perry, uncharacteristically dressed in pants, helped kick off the main program by singing Queen's "We Will Rock You" alongside Aerosmith's Joe Perry as host Russell Brand emerged at the top of a set of steps in a body-hugging tuxedo and top hat, his name emblazoned in 10-foot-tall lights behind him.

Brand set things off right by making a cheeky reference to Katy Perry's backside and stayed true to his promise to keep it all about the love by asking the audience to honor Michael Jackson by "loving one another in his memory." Of course, his version of love was what the British might call a bit "randy," and while former president George W. Bush was safe this year, the censors were working overtime to keep up with the rainstorm of F-bombs and solicitations of Megan Fox and Perry. (Katy, not Joe.)

Though Russell didn't get his biggest wish — an onstage "love guide" from Beyoncé and Jay-Z — he was happy to debunk the rumor dogging the night's other leading lady, one named Gaga. "There's been a lot of mudslinging and rumor mongering and rubbish, people saying that she's a hermaphrodite," Brand said. "I think it's a disgrace that a woman cannot be successful, sexy and have an aggressive sexuality without people saying, 'Oh, she must be a bloke.' That is sexist. And I would like to condemn the male-dominated media for their disgusting treatment of this incredible woman. And if you haven't worked it out by now, yeah, I'm trying to f--- her."

The night's first award was for Best Female Video and it served as a jaw-dropper, as Taylor Swift took the prize over seeming shoo-ins like Gaga and Beyoncé for "You Belong With Me." Clearly shocked, Swift said she'd always dreamed about what it would be like to win a Moonman, never thinking it would actually happen. She was interrupted mid-dream, however, by legendary awards-show interrupter Kanye, who took the microphone from Swift and said, "I'm really happy for you, I'm gonna let you finish, but Beyoncé had one of the best videos of all time," as the crowd howled and booed and Beyoncé looked on in shock. "One of the best videos of all time!"

Brand tried to remind the crowd to remember the love after 'Ye's outburst, and then Green Day took home Best Rock Video for "21 Guns," earning a standing ovation from the competition in Fall Out Boy. The Best Pop Video award continued the temporary shut-out for nine-time nominees Beyoncé and Gaga, as Britney Spears accepted the Moonman for "Womanizer" long distance from her tour.

The reading of the nominees for Best Male Video drew some boos when Kanye's name came up — as well as shouts of "Taylor!" — but it was T.I. who won for "Live Your Life," an award he could not accept because he is currently serving a one-year prison term.

Standing in the 42nd Street subway station, Swift played the role of the world's most famous busker as she shimmied in a trainful of fans while singing "You Belong With Me," taking a ride all the way to a stage outside Radio City. Interruptions aside, the music kept rolling all night thanks to Wale and the house band, joined by 3OH!3, Pitbull, members of the All-American Rejects and Kid Cudi, who paid tribute to his pal DJ AM, who died of an apparent drug overdose last month.

Green Day brought some rock energy to the stage with a bare-bones rip through "East Jesus Nowhere," with singer Billie Joe Armstrong making full use of the stage and sauntering out to sing the gospel of punk rock among the audience. After walking up the aisle, he invited as many fans as he could onto the stage before getting swallowed up by the pogoing hordes and body-surfing his way back to his cohorts.

Standing alone in front of a sea of green lasers, Beyoncé crooned "Sweet Dreams," quickly segueing into "Single Ladies (Put a Ring on It)." She strutted to the edge of the stage and was joined by her two dancers for the signature "Ladies" shimmy. Echoing the elegant beauty of the video, B, now surrounded by more than two dozen dancers wearing similar, though less bejeweled, gray unitards, did the signature hand flops, karate punches and hair flips that made the video one of the year's most striking clips. Speaking of striking, Muse, performing for the first time on American TV, played their new single, "Uprising," to a sweaty crowd of 700 of their biggest fans. The rousing glam-opera call to victory, accompanied by shifting apocalyptic images, had the triumphant feel of a high-tech rocking political rally and, more than likely, set the stage for their stated goal of planting their outrageous stadium-rocking flag on these shores.

Not to be outdone, Pink donned a blindfold and was lifted up to the rafters for a dramatic run through "Sober," during which she performed acrobatic spins, flips and pirouettes while suspended by a high wire.

Jay-Z, however, needed no such accoutrements, walking slowly from his stretch limo to the stage for the TV debut of "Empire State of Mind," backed by Alicia Keys at a piano emblazoned with the NYC skyline. With towering neon images of the town he rules scrolling behind him, Jay owned the stage with the only three things he needs: a microphone, a mind full of giant-slaying rhymes and the swagger of a man who knows his competition is always in the rear view.

Speaking of hip-hop legends, Eminem showed off some of his acting skills during a couple of surprise appearances earlier in the night, goofing along with Tracy Morgan as the "30 Rock" star tried to get into 50 Cent-type shape and tune up his vocals. Slim Shady later got some good news, as "We Made You" won for Best Hip-Hop Video. Looking serious while sporting dark hair, a white hoodie under a black leather jacket and black jeans, Em thanked his fans for sticking with him during hard times, as well as longtime mentor Dr. Dre, and giving a special shout-out to his fallen friend, late D12 member Proof.

After years out of the spotlight, the usually reclusive Shady came out one more time to present the award for Best New Artist to Lady Gaga, who had changed into a red lace dress topped by a mask that looked like a building on fire. "It's my first f---ing Moonman," Gaga said from behind the mask, which she pulled off to thank her fans and "the gays."

Beyoncé didn't go home empty-handed, either. She got hers when it was time for Video of the Year, as "Single Ladies (Put a Ring on It)" danced into the winner's circle. "This is amazing," said B, recalling her first VMA nomination at 17 with Destiny's Child. "It was one of the most exciting moments in my life, so I'd like for Taylor to come out and have her moment," she added, in one of the classiest moments in VMA history. Accepting a big hug from B, a beaming Swift joked, "Maybe we could try this again," thanking all her fans for their support.

Among all the awards and performances, there was the first reveal of the Michael Jackson "This Is It" documentary, which promises some stunning live footage, as well as the extended trailer to "New Moon," the "Twilight" sequel that promises more Volturi, more Edward and way, way more drama.

We have no idea if Katy Perry accepted Brand's show-ending offer to join him in his room, but either way, everyone who was at Radio City went home happy Sunday night. Well, except maybe Kanye.